It's That Man Again.
This time in The Spectator and it's a corker. Here are some highlights:
The Left, which had been shaped as much by the muscular Christianity of the 19th century as by anything else, was now being colonised by something very foreign indeed. The cherished values of generations, the foundation of correct, well-ordered structures and relationships were under attack from a formidable foe. The traditional family and education, sexual mores, artistic aspirations, religious belief — all were now seen as coercive strategies of the powerful, designed to enforce conformity and slavish obedience.
The ‘progressive’ liberalism of the new Left, its destructive atheistic iconoclasm, was miles away from the vision of the early Scottish socialists such as John Wheatley, Manny Shinwell and James Maxton.
Witness, for example, Harold Pinter’s descent into infantilism every time he mentions the United States, or for that matter decides to write poetry. Rather than being ridiculed for the embarrassing doggerel-merchant he has become, he is lauded to the highest by his fellow-travellers, easily impressed by easy rhetoric and equally determined to maintain their favoured positions in the back-slapping arts establishment.
As a Catholic artist I am sick of the smug ignorance, the gross oversimplification and caricature that serves as an understanding of religion, particularly Catholic Christianity, in so much that passes for criticism and analysis. The destruction visited on schools and universities, the degradation of the media, the vulgarisation of culture, the deliberate and planned dismantling of the family — all this is a result of liberalism, not socialism.
Read it for yourself here:
Doff of the academic bonnet to that Pot Pourri of Popery Laodicea